Alma Tadema
Alma Tadema's Oil Paintings
Alma Tadema Museum
8 January 1836 – 25 June 1912. Most renowned painters.

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Royall Brewster Smith
Eliza R Read

ID: 04493

Royall Brewster Smith Eliza R Read
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Royall Brewster Smith Eliza R Read


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Royall Brewster Smith

1801-1855 Royall Brewster Smith Gallery   Related Paintings of Royall Brewster Smith :. | Hunters in the snow | Adoration of the Magi. | The Coronation of the Virgin | Oleo sobre tela | Joan of Arc listening for the first time to the voices that predict her prominent fate |
Related Artists:
Mose Bianchi
(Monza, 1840-1904) was an Italian painter. The family moved from Monza to Milan and Bianchi enrolled at the Brera Academy. Having interrupted his studies to serve in the second war of independence, he returned to attend the school of painting directed by Giuseppe Bertini. The award of a grant in 1867 enabled him to visit Venice and then Paris in 1869. He took part with some success at the Brera exhibitions and the Vienna Exhibition of 1873. It was in this period that he began to paint genre scenes in 18th-century settings and numerous portraits, soon becoming one of the artists most in demand with the Milanese middle classes. He returned to Venice in 1879 and visited Chioggia for the first time. Both places were to be featured also in later years in a series of intense views exhibited at exhibitions in Milan and Venice alongside genre scenes, views of Milan and landscapes of the countryside around Gignese.
Joseph Kleitsch
1881-1931
PARMIGIANINO
Italian Mannerist Painter, 1503-1540 Italian painter, draughtsman and printmaker. Beginning a career that was to last only two decades, he moved from precocious success in the shadow of Correggio in Parma to be hailed in the Rome of Clement VII as Raphael reborn. There he executed few large-scale works but was introduced to printmaking. After the Sack of Rome in 1527, he returned to northern Italy, where in his final decade he created some of his most markedly Mannerist works. Equally gifted as a painter of small panels and large-scale frescoes both sacred and profane, he was also one of the most penetrating portrait painters of his age.






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